La tosca opera lirica
In the 2021-2022 season, Corey joins The Metropolitan Opera for their production of Don Carlos, and brings his Scarpia in Tosca to Gulfshore Opera. Additional recent highlights include Marcello in La Bohème with the Munich Philharmonic and Arizona Opera, Sharpless in Madame Butterfly with Dayton Opera, and Escamillo in Carmen with Lyric Opera of Kansas City. His recent and future engagements include his role debuts of Marcello (Leoncavallo’s La Bohème) with the Teatro Grattacielo for their 25th Anniversary Gala, Don Josè in Carmen for the Festivale di Narnia, Turiddu in Cavalleria Rusticana with Juneau Lyric Opera, Osaka from Mascagni’s Iris with Teatro Goldoni di Livorno, Alfredo in Verdi’s La Traviata and Pinkerton in Puccini’s Madama Butterfly at the Teatro Talia di Tagliacozzo and Rodolfo in Puccini’s La Bohème at the Teatro Ginnasi di Roma, Marcello Giordani and Friends Anfiteatro di Siracusa and a Gala concert Homage to Maria Callas at the Alte Oper Frankfurt.īaritone Corey Crider is an alumnus of Lyric Opera of Chicago’s Ryan Opera Center and recently returned to the company as Malatesta in Don Pasquale. He has been heard in concert in such prestigious venues such as the Musikverein in Vienna and the Auditori of Barcelona. His voice carried across the theater with purpose and connection to his character.” (OperaWire) In his debut in La Traviata, “tenor Alessio Borraggine as Alfredo Germont – Violetta’s ardent lover – nailed the part, both vocally and dramatically.” (Captiva Current) Upon his operatic debut as Pinkerton in Madama Butterfly at the International Festival of the Aegean, “the Italian tenor with a beautiful sound and a good technique convincingly conveyed the hero who marries the young geisha and then leaves her behind.” Upon his New York City debut with Teatro Grattacielo in the lead role of Marcello in Leoncavallo’s La Bohème, “but of particular note were those of Borraggine, who carried us away with Marcello’s love” (Opera News) and “Alessio Borraggine sang the role of Marcello with delight and tenacity. He is fast garnering consistent acclaim in his performances winning critics and audience alike. He is consistently praised for the beauty of his tone, his musicality and the physical embodiment of his roles. Lamp has been the recipient of multiple competition awards from the Rising Stars Vocal Competition at Vero Beach Opera, the Metropolitan Opera National Council Auditions, the Gerda Lissner Foundation, the Lois Alba Aria Competition, the New York Lyric Opera Vocal Competition, and others.ĭiscovered by the renowned tenor Giacomo Aragall, Roman native Alessio Borraggine is one of today’s up and coming Italian lirico-pieno tenors. Lamp was scheduled to be the soprano soloist for Masterwork Chorus’ performance of Verdi’s Messa da Requiem in Carnegie Hall, but that performance was canceled due to the COVID-19 pandemic. That season she also sang three Verdi Messa da Requiem’s, one with only hours’ notice, as she filled in for an ailing soprano with the Southwest Florida Symphony Orchestra. She made her Carnegie Hall debut in her 2018-19 season, singing the soprano solo in Ralph Vaughan Williams’ Dona Nobis Pacem with Mid-America Productions. She returned to Gulfshore Opera to sing an all-Puccini concert and portrayed the title role in Puccini’s Suor Angelica with Opera Fusion, a South Florida company. Another highlight was appearing as the soprano soloist in Beethoven’s Ninth Symphony with the South Florida Symphony Orchestra at the Broward Center. The 2019-20 season sent her to Boston, where she appeared as Clotilde and covered the title role in Bellini’s Norma with Boston Lyric Opera as an Emerging Artist. Her 2021-22 season will include singing the title role in Tosca for Gulfshore Opera, Mozart’s Requiem with the Palm Beach Symphony and Master Chorale of South Florida, and Beethoven’s Egmont with Orchestra Miami. Virtual, outdoor, and socially distanced concerts, street stages, livestreams -even a “porch concert” in her neighborhood -are among the ways she lifted her voice, and spirits, remaining connected with her craft and audiences. Robyn Marie Lamp, a powerful Florida-based soprano, wasn’t quiet for too long during the COVID-19 pandemic shutdown.